Category Archives: Past Concerts

17th December 2016: Carols by Candlelight (Handbridge)

Saturday 17 December 2016 7.30 pm

St Mary’s, Handbridge, Chester CH4 7HL

Tickets: £12 adults; £5 students and under 18s. Includes seasonal refreshments.

Carols by Candlelight

Joined by Movers Shakers, the choir of the NeuroTherapy Centre, Chester.

Chester Bach Singers once again provides the perfect mix of old and new, the familiar and the less well known, in its accompaniment to the Christmas season. Carols for all to sing are mixed with several carols which proved a hit last year such as Will Todd’s My Lord has come, Thomas Hewitt-Jones’ What child is this? And Matthew Owens’ The Holly and the Ivy. Chester Bach Singers Conductor Martin Bussey has composed a new setting of Unto us is born a son for the 40th Season Chester Bach Season Christmas. There is a focus in the programme on the Christmas music of Peter Warlock – a man who was an expert on the boozier side of Christmas, being well acquainted with all the pubs from London southwards (although Warlock’s naked motorcycling is unlikely to feature in the programme). Warlock’s most famous carol is the beautiful Bethlehem Down and this is featured alongside the lively Benedicamus Domino and his setting of Adam lay ybounden.

Retiring collection in aid of:
singing_brain_300

11th December 2016: Carols by Candlelight (Tattenhall)

Sunday 11 December 2016 7.30pm

St Alban’s Church, Tattenhall CH3 9QE and

Tickets: £12 adults; £5 students and under 18s. Includes seasonal refreshments.

 

Carols by Candlelight

Chester Bach Singers once again provides the perfect mix of old and new, the familiar and the less well known, in its accompaniment to the Christmas season. Carols for all to sing are mixed with several carols which proved a hit last year such as Will Todd’s My Lord has come, Thomas Hewitt-Jones’ What child is this? And Matthew Owens’ The Holly and the Ivy. Chester Bach Singers Conductor Martin Bussey has composed a new setting of Unto us is born a son for the 40th Season Chester Bach Season Christmas. There is a focus in the programme on the Christmas music of Peter Warlock – a man who was an expert on the boozier side of Christmas, being well acquainted with all the pubs from London southwards (although Warlock’s naked motorcycling is unlikely to feature in the programme). Warlock’s most famous carol is the beautiful Bethlehem Down and this is featured alongside the lively Benedicamus Domino and his setting of Adam lay ybounden.

Retiring collection in aid of
singing_brain_300

6th November 2016: Gladstone Workshop Performance

Sunday 6th November 3pm

St Deiniol’s Church, Church Lane, Hawardan, Deeside, CH5 3LT

Conductor: Martin Bussey

Join Chester Bach Singers for a short, informal concert of music set in the lovely church of St Deiniol’s in Hawardan, near Gladstone’s Library. Chester Bash Singers is spending the weekend at Gladstone’s library exploring the music of Palestrina, Warlock and Moeran. Plus the premiere of Martin Bussey‘s setting of Gladstone’s Latin translation of the Hymn ‘Rock of Ages’. To end the workshop, we will be performing some of the pieces in the wonderful setting of St Deiniol’s Church. Entry is free and any donations will go to our supported charity, the Alzheimer’s Society ‘Singing for the Brain’.singing_brain_300

Free admission

22nd October 2016: The Poet’s Voice

the-poets-voice-22-oct-2016Saturday 22 October 2016 7.30pm

All Saints Church, Hoole, Chester CH2 3HZ

The Poet’s Voice Poetical and musical collaborations.

Conductor: Martin Bussey

Accompanist: Neil Taylor

Tickets: £12 adults; £5 students and under 18s.

 

Highlights include:

  • Britten/Herbert Antiphon
  • Stanford/M Coleridge The Bluebird
  • Ralph and Ursula Vaughan Williams Silence and Music
  • Harris/Donne Bring us O Lord God
  • Leighton/Herbert Let all the world

The first concert of Chester Bach Singers 40th Season takes as its focus the work of well-known English poets and explores how composers have set their words. There is a mix of sacred music and non-sacred, although all can be described as having a strong spiritual and reflective element. The composers range across  Stanford, Harris, Vaughan Williams, Britten, and Leighton. The chosen poets include Tennyson, Donne, Herbert, and Coleridge. The concert includes a particular focus on the 17th century George Herbert, with settings to begin and end the concert of one of his most famous poems, Let All The World In Every Corner Sing. Accompanied by Neil Taylor, Director of the St George’s Singers and formerly Organist of Sheffield Cathedral, the concert includes a wide variety of styles.

4th Sept 2016: Gladfest 2016

Sunday 4th September 2016, 4pm

Gladstone’s Library, Church Lane, Hawarden, Flintshire CH5 3DF

Gladfest 2016

Chester Bach Singers has been invited to give a short recital at Gladfest 2016 – the UK’s friendliest literary festival held at Gladstone’s Library in North Wales. As part of our celebrations of the 200th anniversary of the Bronte sisters, we will be reprising some of the works performed at our concert, Charlotte and her Sisters.

We will be performing in the Market Place at 4pm on the Sunday afternoon which has free entry and will also be showcasing the best local designers and contemporary crafts.

Charlotte_and_her_Sisters_Poster

11th June 2016: Charlotte and her Sisters

Saturday 11 June 2016 7.30 pm

The Queen’s School, City Walls Rd, Chester CH1 2NN

Mezzo-soprano: Joyce Tindsley

Conductor: Martin Bussey

Join Chester Bach Singers to celebrate 200 years since Charlotte Brontë was born in Haworth Parsonage. Together with her sisters, Emily and Anne, Charlotte produced some of the most enduring English stories and poems. Chester Bach Singers will explore the lives of the three sisters and then re-trace the gripping narrative of Charlotte’s most famous work, Jane Eyre.

 

The Brontë Sisters (Anne Brontë; Emily Brontë; Charlotte Brontë) by Patrick Branwell Brontë oil on canvas, circa 1834 © National Portrait Gallery, London

The Brontë sisters, immortalised in the famous, incomplete picture of them painted by their brother, Branwell, lived their lives for the most part in the newly industrialised village of Haworth, to which the natural beauty of the moors formed both a backdrop and means of escape. It’s no surprise that nature plays a significant part in their writing and this is reflected in the imagery in much of the music in the concert, for example in Sterndale Bennett’s (also born in 1816) setting of Christopher Marlowe:

Come live with me, and be my love,
And we will all the pleasures prove.
That Valleys, groves, hills, and fields,
Woods, or steepy mountain yields.

The sisters’ background as daughters of the Parsonage is reflected in Goss’ If we believe that Jesus died. Their home entertainment, singing and playing Scottish ballads and folk songs, is represented in music by Schumann and Bantock. Their trail-blazing achievements in developing their individual voices as published women writers in the mid-nineteenth century, typical of their focus on individual liberty, is reflected in Martin Bussey’s settings of Emily Brontë, No coward soul is mine and Riches I hold in light esteem. These songs, from the cycle A Chainless soul, will be sung by our guest for the evening, distinguished mezzo Joyce Tindsley.

The story of Charlotte’s Jane Eyre encompasses many themes drawn from the sisters’ experiences and from daily life in Victorian England, as well as reflecting key themes in Romantic literature, art and music. Her early experiences at Lowood School, particularly the deaths of her contemporaries, are marked in the beautiful music of Pearsall’s Lay a garland; her passionate yet unequal relationship with the brooding Mr Rochester, by love songs and choral music by Schumann; the disaster of their interrupted wedding by an excerpt from Gilbert and Sullivan’s Ruddigore; the strong Christian moral element which runs throughout Charlotte’s work is represented by Vaughan Williams’ Valiant for Truth, memorably setting lines from Bunyan’s Pilgrim’s Progress. Many of these themes come together in Brahms’ beautiful Alto Rhapsody, an extended work, written after the Brontës were dead but which sets a text, by Goethe, with which they may well have been familiar.  Here Joyce Tindsley will be accompanied by the men of Chester Bach Singers and regular Chester Bach Singers accompanist Catherine Barnett.

Throughout the evening, excerpts from the Brontë’s writings read by Joyce Tindsley and Alan Tiltman, including poetry by Emily and Anne, will link with the music to form a continuous experience – come and immerse yourself in the unique world of the Brontë sisters!

 

16th March 2016: Handel’s Messiah

Handel's Messiah LeafletWednesday 16th March 2016 7.45 pm

St Thomas of Canterbury Church, Parkgate Rd, Chester, CH1 4AG

Conductor: Martin Bussey

Organ: Andrew Dean

This performance, conducted by Martin Bussey, will be with organ accompaniment by Andrew Dean, our associate conductor. In the week leading up to Palm Sunday this will be a “Passiontide” Messiah but still with many of your favourite arias and choruses. As this is a week-night (our normal rehearsal evening), the concert will begin at 7.45pm and doors will open at 7.00pm.

No ticket required – admission will be free but at the end of the concert you will be invited to give what you feel the performance was worth.

27th February 2016: Haydn and CPE Bach

Saturday 27 February 2016 7.30 pm

St Mary’s Without-the-Walls, Handbridge, Chester CH4 7HL

Haydn Nelson Mass and CPE Bach Magnificat with orchestra.

Conductor: Martin Bussey
Soprano: Cally Youdell
Alto: Joanna Harries
Tenor: Thomas Kelly
Bass: Andrew Davies

Adults £15
Students and Under 18s £5

THE WORKS

HAYDN’S NELSON MASS

We don’t know for sure how Haydn’s Missa in Angustiis, which can be translated “Mass in times of trouble and fear”, came to be known as Nelson Mass but, in 1798, when Haydn wrote it, Europe was embroiled in the Napoleonic wars and times were certainly troubled. The news that Napoleon had been defeated in the Battle of the Nile by British Forces led by Admiral Horatio Nelson came just at the time of the first performance of this work and, in the mood of the time, it became known popularly as the Nelson Mass. In 1800 Nelson and Lady Hamilton visited the Esterházy palace and may even have heard the work performed. Haydn’s biographer H. C. Robbins Landon writes that this mass is “arguably Haydn’s greatest single composition”.

CPE BACH’S MAGNIFICAT

Carl Philipp Emanuel Bach was the second surviving son of the great Johann Sebastian Bach, and his first wife, Maria Barbara. The most famous and prolific of the Bach sons, he was educated with his brother Wilhelm Friedemann who was four years older, at a Lutheran seminary in Cöthen, and later in Leipzig at the Thomasschule where his father was Cantor of St. Thomas’ Church. It is said that from the age of eleven he could play all his father’s keyboard pieces at sight. He studied law at the Universities of Leipzig and Frankfurt where he financially supported himself by giving keyboard lessons and by composing for or directing public concerts. In later years he held positions of great influence in Berlin and Hamburg and was widely esteemed as a keyboard player and theorist.

It was during his Berlin years that, in 1749, he composed his only important church work, the Magnificat. It takes its text from Mary’s canticle from St. Luke’s Gospel (Chapter 1, v. 46–55) and according to a pupil at the Thomasschule it was performed in Leipzig while his father was still alive – sometime before the end of July 1750. The work contains a number of unmistakable borrowings from his father’s Magnificat: the melodies in the Fecit potentium and Deposuit are, for example, almost identical. However, the choruses take second place to the solo vocal numbers (which quantitatively, too, predominate) with their lyrical, faintly opera-like elements. Nevertheless, the final chorus, Sicut erat in principio, has a recurring theme which has often been compared with that of the Kyrie in Mozart’s Requiem, finally concluding with an extended Amen, 183 bars long.

Adults £15
Students and Under 18s £5

19th December 2015: Carols by Candlelight

2015 Carol Concert LeafletSaturday 19 December 2015 7.30 pm

St Mary’s Church, Handbridge, Chester
CH4 7H
Thinking of refreshing your Christmas tree ornaments this year?  Chester Bach Singers looks forward to giving audiences fresh sparkle and colour in its 2015 Christmas concerts as it presents new arrangements of much-loved carols alongside the best of newly-composed carols by some of the most tuneful and appealing choral composers around.

Come along and enjoy Bob Chilcott’s new foot-tapping arrangement of On Christmas Night all Christians Sing, alongside Paul Leddington Wright’s energetic version of We Three Kings of Orient are and Mack Wilberg’s tinsel-laden background to Ding Dong! Merrily on high.  These are set alongside Chester-born composer Howard Skempton’s There is no rose, Will Todd’s jazz-harmonised My Lord is come and Thomas Hewitt-Jones’ hauntingly beautiful carol What Child is this.  All combined with the customary traditional carols for you to join in.

In the first half of our Handbridge concert this year, CBS is delighted to be joined by the Movers and Shakers Choir from the Neuro Therapy Centre, Chester.  This partnership signals a new venture in joining with other groups in the community in a practical way to share music making.  As well as enjoying the choir’s own music under the direction of Pam Newton, CBS and the Movers and Shakers will end the first half with a joint rendition of Irving Berlin’s evergreen White Christmas – and we expect to hear the audience crooning along!

 

This year our retiring collection will be in aid of:

the_neuro_therapy_centre_logo

The Neuro Therapy Centre

donate_to_neuro_therapy_centre

Donate to the Neuro Therapy Centre Chester

13th December 2015: Carols by Candlelight

2015 Carol Concert Leaflet

Sunday 13 December 2015 7.30 pm

St Alban’s Church, Tattenhall CH3 9QE

Thinking of refreshing your Christmas tree ornaments this year?  Chester Bach Singers looks forward to giving audiences fresh sparkle and colour in its 2015 Christmas concerts as it presents new arrangements of much-loved carols alongside the best of newly-composed carols by some of the most tuneful and appealing choral composers around.

Come along and enjoy Bob Chilcott’s new foot-tapping arrangement of On Christmas Night all Christians Sing, alongside Paul Leddington Wright’s energetic version of We Three Kings of Orient are and Mack Wilberg’s tinsel-laden background to Ding Dong! Merrily on high.  These are set alongside Chester-born composer Howard Skempton’s There is no rose, Will Todd’s jazz-harmonied My Lord is come and Thomas Hewitt-Jones’ hauntingly beautiful carol What Child is this.  All combined with the customary traditional carols for you to join in.

 

This year our retiring collection will be in aid of:

the_neuro_therapy_centre_logo

The Neuro Therapy Centre

donate_to_neuro_therapy_centre

Donate to the Neuro Therapy Centre Chester